THE FALL GUY: a novel
“Exceptionally entertaining…The Fall Guy reads like early Ian McEwan or late Patricia Highsmith…Lasdun is masterly in his story’s construction…This is exactly what a literary thriller should be: intelligent, careful, swift, unsettling.” The New York Times
“Elegant and disturbing…This simple-seeming novel, so graceful in its unfolding, proves dense with psychological detail and sly social observations” Wall Street Journal
A Book of the Month Club Selection
An Indie Next Great Read for November 2016
This is the official website of the writer James Lasdun, and the only reliably accurate source of information about his work.
James Lasdun was born in London in 1958 and now lives in the US. He has published two novels, four collections of poetry and four books of short stories, including the selection The Siege, the title story of which was made into a film by Bernardo Bertolucci (Besieged). His most recent books are Bluestone: New and Selected Poems and Feathered Glory, a novella published in the Paris Review (Spring 2015). With Jonathan Nossiter he co-wrote the films Sunday, which won Best Feature and Best Screenplay awards at Sundance, and Signs and Wonders, starring Charlotte Rampling and Stellan Skarsgaard. With Michael Hofmann he edited the anthology After Ovid: New Metamorphoses. With his wife Pia Davis he has written two guide books, Walking and Eating in Tuscany and Umbria, and Walking and Eating in Provence. His essays and reviews have appeared in Harper’s, Granta, The London Review of Books, The New York Times, The Guardian and The New Yorker.
His work has been widely translated and won numerous awards, including the inaugural BBC National Short Story Award. He has been a finalist for the T.S. Eliot Prize, the Forward Prize and the LA Times Book Prize. His first novel, The Horned Man, was a New York Times Notable Book, and his second, Seven Lies, was longlisted for the Booker Man Prize.
“James Lasdun seems to be one of the secret gardens of English writing…when we read him we know what language is for… Lasdun is a poet, and of course, one would expect, on his part, an enlarged attention to prose. It is easy to forget how very ordinary most contemporary prose-writers are… Lasdun’s prose, by contrast, is neither too fancy nor too regular. It is flexible, rich, metaphorical, and lovely… In sentence after sentence, the reader feels Lasdun’s words shaping and then freely donating a world to us, with great flexible artistry.” — James Wood, The Guardian